Supersampler

Aside from the four lenses, I was probably drawn to the quirky design and those weird drawings on the body. The merchandise that came with it, two Lomography albums and a sleek plastic box, were also a good bait. Plus, he camera was very small and weighed close to nothing, which was an extra treat, since back then, wherever I went, I carried a Canon A-1, equipped with various lenses for various purposes. Not the lightest pack, I must admit. So I made the decision to pay a handsome sum for the Supersampler, which makes me feel kinda weird now, due in part to the fact that I have since formed a strong opinion on Lomography, and that's one which isn't exactly belauding.
But yeah, the camera is fun. You make a click and it takes four slim photos on one frame of 35mm film. It works in two modes: four photos in two seconds or four photos in interval of two seconds between each photo (as far as I remember correctly; the camera won't fire without film inside -- if you want precise information, you'll have to google it). That means you can move around while the camera takes photos: you can wave it, you can throw it in the air, jump around, run towards your subject and do lots of funny stuff which creates a sense of movement and overall dynamic in the photos. Really nice!
The camera has no viewfinder (although it has an attachable rubber frame that I promptly lost), but then again, who needs one for photos like these? The shutter speeds are something like 1/60 but they're not equal. This shows in the photos, as some stripes are better exposed than others. You rewind the film with a stroke of a line (way cool) which also cocks the shutter. Simple. And fun. Take a look.






Oh, and by the way, I am willing to part with my Supersampler. I'd gladly sell it or swap for something equally quirky. So if you think you want a used but completly usable Supersampler, drop me a note.
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